{"title":"Eventide Guitar \u0026 Vocal Pedals","description":"\u003cp\u003eEventide has been manufacturing digital audio processors since 1971. Originally recognised for pioneering studio rack equipment, the company now engineers advanced effects pedals for both stage and studio applications.\u003c\/p\u003e\n\u003cp\u003eTheir pedal range utilises the same algorithms found in their flagship studio processors, providing precise, low-noise control over reverb, delay, and pitch modulation without degrading the analogue signal path.\u003c\/p\u003e\n\u003cp\u003eHere at Audio Direct, we rigorously test the gear we stock, and our staff are currently running the new \u003ca href=\"https:\/\/www.audiodirect.co.uk\/collections\/eventide\/products\/eventide-h90-harmonizer-multi-effects-pedal\" title=\"Shop now\"\u003e\u003cstrong\u003eEventide H90 Harmonizer multi-effects pedal\u003c\/strong\u003e\u003c\/a\u003e in our demo area. Because we actively use this hardware, we can offer straight-talking, technical advice on algorithm configuration and routing for your specific setup.\u003c\/p\u003e","products":[{"product_id":"eventide-h90-harmonizer-multi-effects-pedal","title":"Eventide H90 Harmonizer Multi-Effects Pedal","description":"\u003ch3 class=\"\" data-end=\"493\" data-start=\"423\"\u003eThe Dual Op-Amp Bass Fuzz That Solves Every Problem At Once — EHX Deluxe Bass Big Muff Pi 2, With Blend, Crossover, Gate, And Full Studio I\/O\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Eventide H90 Harmonizer is a professional multi-effects pedal housing 74 algorithms and hundreds of factory programs on ARM-based architecture derived from the H9000 Harmonizer. Two algorithms run simultaneously per Program in either series or parallel routing, with true spillover between programs so reverb and delay tails complete naturally during preset changes. The H90 operates in Standard mode as a conventional stereo effects pedal, or switches to Dual Mode for four-cable-method amp integration, simultaneous processing of two independent stereo signals, or paired operation with a second device such as the Eventide MixingLink for combined vocal and guitar processing. Four insert points — two mono inserts plus the option of one stereo insert — can be positioned anywhere in the signal chain, allowing outboard effects to be incorporated in any configuration.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003ciframe width=\"865\" height=\"495\" src=\"https:\/\/www.youtube.com\/embed\/8ixY3RvKKzA\" title=\"Introducing the Eventide H90 Harmonizer® Pedal\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe algorithm library covers the full spectrum from studio-grade essentials to experimental sound design. Pitch and harmony algorithms include the new polyphonic pitch shifter with SIFT (Spectral Instantaneous Frequency Tracking) technology for accurate chord-following pitch shifting, Quadravox+ for four-voice intelligent harmonies, VocalShift and VocalTune from the Harmonizer+ vocal suite, and the classic PitchFactor algorithms carried forward from the H9 Max. Reverb algorithms include the legendary Blackhole infinite reverb, SP2016 algorithmic reverb, and a range of spatial, shimmer, and convolution-style reverbs. Delay, modulation, dynamics, distortion, and filter algorithms add depth. Granular additions — GrainMod, Stutter, Glitch, Cosmic Web — give access to textures that straddle the line between effect and instrument. The full list of all 52 H9 Max algorithms is included, with enhancements.\u003c\/p\u003e\n\u003ch6 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eDual Algorithm Design And Routing\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eEach Program in the H90 contains two independent algorithm slots, each drawing on the full library, with the routing between them switchable between series (the output of Algorithm 1 feeds Algorithm 2) and parallel (both algorithms process the input simultaneously and are mixed at the output). This alone gives the H90 a depth of tonal combination that no single-algorithm pedal can match — a shimmer reverb feeding a delay, a pitch shifter in parallel with a chorus, or Blackhole feeding a granular stutter effect are all configured within a single footswitch press.\u003c\/p\u003e\n\u003ch6 data-start=\"99\" data-end=\"149\"\u003ePerformance Controls And MIDI\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIn PERFORM mode, six programmable footswitches provide direct hands-on access to mapped functions — bypass, tap tempo, reverb freeze, pitch flex, delay repeats, parameter locks — with momentary or latching behaviour selectable per switch. Three Quick Knobs with push-button function give immediate control over up to six assignable parameters per Program. The PERFORM HotKnob handles expression mapping. Two EXP\/CTL inputs accept expression pedals, up to 3-button auxiliary switches, or CV signals. Full MIDI over 5-pin DIN or USB-C, with extensive CC and program change mapping.\u003c\/p\u003e\n\u003ch6 data-start=\"99\" data-end=\"149\"\u003eH90 Control Software\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp data-start=\"99\" data-end=\"149\"\u003eThe free H90 Control app for macOS, Windows, and iPad connects via Bluetooth or USB-C and gives full access to all H90 parameters, program editing, preset management, MIDI mapping, and firmware updates. User lists can be exported and imported between units.\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eKEY FEATURES: Eventide H90 Harmonizer Multi-Effects Pedal\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003e74 Algorithms:\u003c\/strong\u003e Including 22 new algorithms exclusive to the H90.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eAll 52 H9 Max Algorithms Included:\u003c\/strong\u003e Enhanced and improved.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eARM-Based Architecture:\u003c\/strong\u003e Derived from the H9000, Eventide's flagship rack processor.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDual Algorithm Design:\u003c\/strong\u003e Two algorithms per Program, series or parallel routing.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTrue Spillover:\u003c\/strong\u003e Reverb and delay tails complete naturally during preset changes.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003ePolyphonic Pitch Shifting:\u003c\/strong\u003e SIFT spectral tracking for accurate chordal harmony.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eHarmonizer+ Vocal Algorithms:\u003c\/strong\u003e VocalShift, VocalTune, VocalShiftMIDI from the H9000 suite.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGranular Algorithms:\u003c\/strong\u003e GrainMod, Stutter, Glitch, Cosmic Web, Bouquet Delay, Head Space.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDual Mode:\u003c\/strong\u003e Four-cable method, dual stereo instrument processing.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTwo Mono Inserts \/ One Stereo Insert:\u003c\/strong\u003e Position outboard effects anywhere in the chain.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003e6 Programmable Footswitches:\u003c\/strong\u003e In PERFORM mode, with latching\/momentary.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003e3 Quick Knobs And PERFORM HotKnob:\u003c\/strong\u003e Hands-on parameter control.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003e2 EXP\/CTL Inputs:\u003c\/strong\u003e Expression pedals, aux switches, CV.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMIDI:\u003c\/strong\u003e 5-pin DIN In\/Out + USB-C.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eH90 Control App:\u003c\/strong\u003e Free for macOS, Windows, iPad (Bluetooth or USB-C).\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\u003cstrong\u003eBuilt-In Tuner.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eInstrument And Line Level Operation:\u003c\/strong\u003e Switchable.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":57839910748495,"sku":"H90","price":999.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0891\/3344\/9551\/files\/preview_67b34d67-208d-4327-9f6d-f857f5bd2f9d.jpg?v=1780417818"},{"product_id":"eventide-blackhole-reverb-pedal-infinite-reverb-gravity-control-up-to-127-midi-presets","title":"Eventide Blackhole Reverb Pedal — Infinite Reverb, Gravity Control, Up To 127 MIDI Presets","description":"\u003ch3 class=\"\" data-end=\"493\" data-start=\"423\"\u003eReverb So Large It Doesn't Sound Like Reverb Anymore — Eventide Blackhole, With Infinite Mode, Freeze, And Gravity Control\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Eventide Blackhole is an otherworldly reverb stompbox based on one of Eventide's most celebrated algorithms, originally developed for the DSP4000 rack processor. Five onboard presets — Blackhole, Dark Matter, Nebula, Singularity, and Pulsar — cover a range of spatial characters from vast ambient reverbs to resonant, pulsing delays, all sharing the Blackhole algorithm's fundamental character of extreme size and unusual decay behaviour. Up to 127 presets are accessible via MIDI, and the Eventide Device Manager (EDM) software provides full preset editing, creation, and management on Mac or PC via USB.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003ciframe width=\"865\" height=\"495\" src=\"https:\/\/www.youtube.com\/embed\/l2Lx80NUJvs\" title=\"Introducing Eventide Blackhole Pedal: A Reverb as Big as the Cosmos\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Size control ranges from a cartoonishly compressed small room all the way to a limitless void with no perceivable boundaries. The Feedback control pushes the reverb tail through and beyond the event horizon into continuous self-sustaining operation. Infinite mode layers new material on top of a suspended reverb indefinitely. Freeze mode holds the tail completely in stasis, allowing the player to perform over it. The Gravity control is the Blackhole's most distinctive feature: at normal settings it shapes the natural decay curve; at extreme settings it inverts the tail, creating reverse-style swells and suck-back effects that bring the dry signal back into the reverb rather than the reverse. A Lo, Hi, and Q (resonance) EQ section allows the spectral character of the reverb tail to be shaped, and all EQ parameters can be mapped to an expression pedal for dynamic movement during performance.\u003c\/p\u003e\n\u003ch6 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eModulation And Bypass Options\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eUnlike pedals that apply modulation as a separate layer over the reverb, the Blackhole's modulation is built into the reverb structure itself, smoothing out extreme settings and adding tonal movement that is integral rather than cosmetic. Multiple bypass options — Buffered, Relay, DSP+FX, and Kill Dry — accommodate different rig requirements. A rear-panel Guitar\/Line Level switch optimises the internal gain structure for instrument-level or line-level sources.\u003c\/p\u003e\n\u003ch5\u003eKEY FEATURES: Eventide Blackhole Reverb Pedal — Infinite Reverb, Gravity Control, Up To 127 MIDI Presets\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eBlackhole Algorithm:\u003c\/strong\u003e Based on the legendary DSP4000 algorithm.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003e5 Onboard Presets:\u003c\/strong\u003e Blackhole, Dark Matter, Nebula, Singularity, Pulsar.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eUp To 127 MIDI Presets:\u003c\/strong\u003e Via MIDI program change.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eSize Control:\u003c\/strong\u003e From tiny room to limitless void.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGravity Control:\u003c\/strong\u003e Normal or inverse decay — creates swells, suck-back effects, and reverse tails.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eInfinite Mode:\u003c\/strong\u003e Continuously layers new material on a suspended reverb.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFreeze Mode:\u003c\/strong\u003e Holds reverb tail in stasis for playing over.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFeedback Control:\u003c\/strong\u003e Push the reverb past the event horizon into infinite sustain.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLo, Hi, And Q EQ:\u003c\/strong\u003e Shape the spectral character of the reverb tail.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eBuilt-In Modulation:\u003c\/strong\u003e Integral to the reverb structure, not added on top.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMultiple Bypass Options:\u003c\/strong\u003e Buffered, Relay, DSP+FX, Kill Dry.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExpression Pedal Input:\u003c\/strong\u003e Map any combination of parameters.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMIDI:\u003c\/strong\u003e Via TRS (requires adapter) or USB Mini.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGuitar\/Line Level Switch:\u003c\/strong\u003e Rear panel.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEDM Software:\u003c\/strong\u003e Full preset editing and management via Mac or PC.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":57839965208911,"sku":"BLACKHOLE-PEDAL","price":279.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0891\/3344\/9551\/files\/1600166201EventideBlackholeFront.avif?v=1780417863"},{"product_id":"eventide-knife-drop-sub-octave-fuzz-and-analog-synth-pedal","title":"Eventide Knife Drop Sub-Octave Fuzz And Analog Synth Pedal","description":"\u003ch3 class=\"\" data-end=\"493\" data-start=\"423\"\u003eSub-Octave Fuzz, Analog Synth Oscillator, And An Envelope Filter — The Eventide Knife Drop, Co-Created With Jack White And Third Man Hardware\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Eventide Knife Drop is a sub-octave fuzz and analog synth effects pedal co-designed with Third Man Hardware, Jack White's manufacturing company. It combines three blended signal sources — the direct instrument signal, a monophonic analog-style synth oscillator, and switchable upper and lower octave signals — through an aggressive distortion circuit, then processes the result through an ADSR-style resonant lowpass filter. The filter's cutoff frequency is swept by an envelope derived from the input signal's amplitude, with adjustable attack time (0 to 1000ms), cutoff frequency, and resonance, plus a pre\/post-distortion position switch that places the filter before the fuzz (shaping what enters the distortion circuit) or after it (shaping what exits). An output level control provides precise volume management from -12 to +9dB.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003ciframe width=\"865\" height=\"495\" src=\"https:\/\/www.youtube.com\/embed\/smYAdGAxvOU\" title=\"Knife Drop Pedal: Presets Playthrough and Sound Demo\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFive exclusive presets co-developed with Jack White are stored onboard, each carrying +6dB of additional gain above the standard output ceiling. An LED ladder display guides navigation through preset selection. Additional presets are accessible via MIDI or the H90 Control app. The Octaves LED button activates the upper and sub octave signals; a secondary octaves footswitch allows these to be disengaged independently during performance. A secondary LED button accesses additional parameters for deeper customisation. The H90 Control app connects via USB for firmware updates, additional preset management, and system settings. Both input and output are switchable between mono and stereo, with separate guitar and line level optimisation.\u003c\/p\u003e\n\u003ch6 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFilter Position And Octave Architecture\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe pre\/post filter switch is the Knife Drop's most significant tonal variable. In pre-distortion mode, the filter shapes the frequency content before it reaches the fuzz circuit — a closed filter produces a dark, compressed fuzz; an open filter passes full-range signal into the distortion; an envelope sweep moves through these characters dynamically. In post-distortion mode, the filter works on an already-clipped and harmonically saturated signal, producing a wah-like sweep through dense fuzz textures rather than through the cleaner input signal. Combined with the three-source blend of direct signal, oscillator, and octaves, the range of tonal variation from a single pedal is substantial.\u003c\/p\u003e\n\u003ch5\u003eKEY FEATURES: Eventide Knife Drop Sub-Octave Fuzz And Analog Synth Pedal\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eBlackhole Algorithm:\u003c\/strong\u003e Based on the legendary DSP4000 algorithm.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003e5 Onboard Presets:\u003c\/strong\u003e Blackhole, Dark Matter, Nebula, Singularity, Pulsar.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eUp To 127 MIDI Presets:\u003c\/strong\u003e Via MIDI program change.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eSize Control:\u003c\/strong\u003e From tiny room to limitless void.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGravity Control:\u003c\/strong\u003e Normal or inverse decay — creates swells, suck-back effects, and reverse tails.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eInfinite Mode:\u003c\/strong\u003e Continuously layers new material on a suspended reverb.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFreeze Mode:\u003c\/strong\u003e Holds reverb tail in stasis for playing over.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFeedback Control:\u003c\/strong\u003e Push the reverb past the event horizon into infinite sustain.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLo, Hi, And Q EQ:\u003c\/strong\u003e Shape the spectral character of the reverb tail.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eBuilt-In Modulation:\u003c\/strong\u003e Integral to the reverb structure, not added on top.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMultiple Bypass Options:\u003c\/strong\u003e Buffered, Relay, DSP+FX, Kill Dry.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExpression Pedal Input:\u003c\/strong\u003e Map any combination of parameters.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMIDI:\u003c\/strong\u003e Via TRS (requires adapter) or USB Mini.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGuitar\/Line Level Switch:\u003c\/strong\u003e Rear panel.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEDM Software:\u003c\/strong\u003e Full preset editing and management via Mac or PC.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":57839999058255,"sku":"KNIFEDROP","price":329.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0891\/3344\/9551\/files\/Knife-Drop-Front__01551.jpg?v=1780417835"},{"product_id":"eventide-mixinglink-mic-preamp-and-fx-loop-pedal-48v-phantom-power-di-output-65db-clean-gain","title":"Eventide MixingLink Mic Preamp And FX Loop Pedal — 48V Phantom Power, DI Output, 65dB Clean Gain","description":"\u003ch3 class=\"\" data-end=\"493\" data-start=\"423\"\u003eThe Mic Preamp That Belongs On Your Pedalboard — Eventide MixingLink, 48V Phantom Power, FX Loop, DI Output, 65dB Clean Gain\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Eventide MixingLink is a stompbox-format mic preamp and FX loop interface designed to connect microphones, instruments, and line-level sources to guitar pedal chains, amplifiers, headphones, and balanced DI outputs. A high-gain, low-noise mic preamp with 48V phantom power provides up to 65dB of clean gain — enough for ribbon microphones and low-output dynamics alongside standard condensers. The instrument input accepts guitar, bass, and other instrument-level sources at +10dBu with 500kΩ impedance. A balanced line input handles +24dBu for synthesisers, keyboard outputs, and other line-level equipment.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003ciframe width=\"865\" height=\"495\" src=\"https:\/\/www.youtube.com\/embed\/4ssxKVoseTQ\" title=\"Eventide MixingLink Introduction\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAn effects loop send\/return routes the signal to external pedals and returns it to the signal path, with the footswitch providing latching or momentary bypass of the FX loop for live performance effects toggling. The Mix control provides three modes: 100% dry with the FX blend mixed in; a variable Mic\/FX balance; and 100% FX with no dry signal. The outputs cover every practical use case: a balanced XLR DI\/line output switchable between DI level (-10dBu) and line level (+18dBu) for mixer and interface connection; a 6.35mm amplifier output at +10dBu for stage amplifiers and monitoring; a headphone output with 150mW per channel supporting loads from 8 ohms; and a 3.5mm auxiliary out at mobile mic level for connection to phone recording apps. An auxiliary stereo input at 3.5mm accepts playback from phones and tablets for practising against backing tracks.\u003c\/p\u003e\n\u003ch6 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eApplication Range\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe MixingLink's I\/O flexibility supports applications beyond standard vocal FX. For re-amping, the balanced line input receives a direct-recorded DI signal from a DAW interface, and the amplifier output feeds a guitar amplifier for miking. As an A\/B box, the instrument input and amplifier output route one instrument between two destinations. As a compact mixer, multiple sources via the instrument, line, and aux inputs are summed to the amplifier or headphone output. For hotel practice, a guitar connects via the instrument input, a phone via the aux input for backing tracks, and headphones to the monitor output. The MixingLink has been used by engineers including Joe Chiccarelli (U2, Elton John), Tony Visconti (Bowie, T. Rex), and Vance Powell (Jack White) as a stage and studio routing tool.\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eKEY FEATURES: Eventide MixingLink Mic Preamp And FX Loop Pedal — 48V Phantom Power, DI Output, 65dB Clean Gain\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMic Preamp With 48V Phantom Power:\u003c\/strong\u003e Up to 65dB of clean gain for condenser, dynamic, and ribbon microphones.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFX Loop:\u003c\/strong\u003e Send\/return for guitar pedals and outboard effects, footswitch controlled.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLatching Or Momentary Footswitch:\u003c\/strong\u003e Live performance FX loop bypass.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMix Control:\u003c\/strong\u003e Three modes — dry + FX blend, Mic\/FX balance, or 100% FX.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eBalanced XLR DI\/Line Output:\u003c\/strong\u003e Switchable DI (-10dBu) or line (+18dBu) level.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eAmplifier Output:\u003c\/strong\u003e 6.35mm, +10dBu for stage amps.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eHeadphone Output:\u003c\/strong\u003e With separate master volume control, 150mW\/channel.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eInstrument Input:\u003c\/strong\u003e 6.35mm, +10dBu, 500kΩ impedance.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eBalanced Line Input:\u003c\/strong\u003e 6.35mm, +24dBu, 22kΩ.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003e3.5mm Aux Input And Output:\u003c\/strong\u003e Stereo in for playback; mobile mic level out.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eBattery Or DC Power:\u003c\/strong\u003e 9V battery (no phantom power on battery) or 9V DC adapter.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eApplications:\u003c\/strong\u003e Vocal FX loop, re-amping, signal splitting, hotel practice amp, mixer, A\/B box.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":57840030548303,"sku":"MIXINGLINK","price":359.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0891\/3344\/9551\/files\/Eventide_Mixing-Link-angle-right.avif?v=1780417880"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0891\/3344\/9551\/collections\/Eventide_guitar_effect_pedals_and_guitar_accessories_available_at_Audio_Direct.jpg?v=1781865901","url":"https:\/\/www.audiodirect.co.uk\/collections\/eventide.oembed","provider":"Audio Direct","version":"1.0","type":"link"}