Electro-Harmonix Deluxe Bass Big Muff Pi 2
Why The Deluxe Bass Big Muff Pi 2 Is The Complete Bass Fuzz Solution
Why The Deluxe Bass Big Muff Pi 2 Is The Complete Bass Fuzz Solution
Electro Harmonix | Profile
Electro Harmonix | Profile
Electro Harmonix - Effecting Music Since 1968
Electro-Harmonix, also known as EHX, is a proud New York City-based company known throughout the world for creating the most iconic-sounding guitar pedals and, in our opinion, the best-looking pedals with model names and graphics to inspire you!
Their pioneering innovations in analogue audio signal processing, digital delay, and digital sampling have been used in recordings by Pink Floyd, U2, The Police, John Mayer, and countless other music legends since the 1960s.
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Whu buy Electro-Harmonix from us?
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Description
Description
The Dual Op-Amp Bass Fuzz That Solves Every Problem At Once — EHX Deluxe Bass Big Muff Pi 2, With Blend, Crossover, Gate, And Full Studio I/O
The Electro-Harmonix Deluxe Bass Big Muff Pi 2 is a bass fuzz pedal built around the dual op-amp Big Muff Pi 2 circuit — the same hard-edged, mids-forward op-amp topology used in the standard Big Muff Pi 2 with Tone Wicker, optimised here for bass guitar with an expanded control set and professional I/O. The core VOL, TONE, and SUSTAIN controls operate as standard: volume sets output level, tone shapes the frequency balance of the fuzz signal, and sustain controls gain and compression depth. The BLEND knob mixes continuously between the clean and fuzz signals, from 100% dry at full counter-clockwise to 100% effected at full clockwise, allowing precise balancing of fuzz character against clean fundamental. A GATE knob controls an integrated noise gate, setting the input amplitude threshold required to open the gate — clockwise increases gating aggressiveness, fully counter-clockwise disables the gate entirely.
The CROSSOVER section is operated by a dedicated footswitch with latching and momentary action, and fundamentally changes how the fuzz circuit interacts with the bass signal. When engaged, the input signal is split into two paths: the high-pass filtered path feeds into the fuzz circuit with the HPF knob adjusting cutoff from 115Hz to 1kHz, while the low-pass filtered path feeds the clean signal with the LPF knob adjusting cutoff from 60Hz to 10kHz. This allows the fuzz to operate on the upper frequencies of the instrument while the low end — the fundamental frequencies that define bass guitar in a mix — passes through clean, unaffected, and uncompressed. The effect is that the pedal can produce a full, present fuzz tone in the mids and highs without sacrificing the weight and definition of the bottom end underneath it.
The I/O section provides three outputs: the standard OUTPUT jack (550Ω) carries the main effected signal; the DI OUTPUT is a low-impedance XLR output of the effected signal for sending directly to a mixing console, PA system, or recording interface; the DIRECT OUT is a buffered clean output of the original unaffected bass signal, allowing the player to simultaneously feed a clean signal to a bass amplifier and an effected signal to FOH via the DI. An INPUT pad switch engages -10dB of attenuation at the input, making the pedal practical with active pickup basses and other high-output sources without input clipping. The main footswitch provides both latching and momentary bypass operation. The pedal uses buffered bypass and includes the 9.6VDC-200mA power adapter in the box.
The Op-Amp Big Muff Pi 2 Circuit
The dual op-amp circuit at the heart of this pedal is the same topology used in the Big Muff Pi 2 with Tone Wicker — a revival of the 1970s op-amp Big Muff design that produces a distinctly different character from the standard transistor Big Muff. Where the transistor circuit clips asymmetrically through cascaded gain stages for a smooth, violin-like sustain, the op-amp circuit clips more symmetrically and harder, delivering tighter compression, a more prominent midrange presence, and a denser, more aggressive fuzz texture. On bass, this translates to a fuzz that cuts through a full band mix aggressively, without the tendency of softer fuzz circuits to disappear in the low-mid range where bass guitar sits in a dense arrangement.
Crossover, Blend, And Gate Working Together
The three tone-shaping tools on the Deluxe Bass Big Muff Pi 2 work independently and in combination. The CROSSOVER defines which frequencies enter the fuzz circuit. The BLEND determines how much fuzz is layered against the clean signal. The GATE controls whether the fuzz sustains freely or cuts tightly on release. A player who wants full fuzz with clean low end underneath uses the CROSSOVER with the HPF set to roll off the bass before the fuzz circuit. A player who wants maximum fuzz at all frequencies uses the BLEND to retain fundamental under a fully saturated fuzz. A player who needs controlled, percussive fuzz for slap or funk playing uses the GATE to prevent the sustained noise floor between notes.
KEY FEATURES: Electro-Harmonix Deluxe Bass Big Muff Pi 2
- Dual Op-Amp Big Muff Pi 2 Circuit: Hard-edged, mids-forward bass fuzz character.
- BLEND Knob: Continuously variable wet/dry mix for preserving clean fundamental.
- CROSSOVER Section: Splits signal — HPF to fuzz circuit, LPF to clean path — for independent frequency control.
- HPF Knob: High-pass filter cutoff for fuzz signal path, 115Hz to 1kHz.
- LPF Knob: Low-pass filter cutoff for clean signal path, 60Hz to 10kHz.
- CROSSOVER Footswitch: Dedicated latching/momentary footswitch for crossover on/off.
- GATE Knob: Integrated noise gate with adjustable threshold.
- VOL, TONE, SUSTAIN Controls: Core fuzz level, EQ, and gain.
- INPUT Pad Switch: -10dB attenuation for active pickups and high-output basses.
- DI OUTPUT: Low-impedance XLR output of effected signal for FOH/recording.
- DIRECT OUT: Buffered clean output of unaffected bass signal.
- Main Footswitch: Latching/momentary bypass.
- Buffered Bypass.
- 9.6VDC-200mA Power Adapter Included.
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Fully Analogue Circuit.

